TiMidity++ - MIDI-to-WAVE converter and player
timidity [options] filename [...]
TiMidity++ is a converter that converts some of MIDI files (supported
formats: Standard MIDI files (*.mid), Recomposer files (*.rcp, *.r36, *.g18,
*.g36) and Module files (*.mod)) into formatted audio files (e.g. RIFF WAVE).
TiMidity++ uses Gravis Ultrasound-compatible patch files or Soundfonts
(*.sfx, *.sf2) to generate digital audio data from MIDI files. The digital
audio data generated by
TiMidity++ can be stored in a file for
processing, or played in real time through an audio device.
In real time playing,
TiMidity++ can show the lyrics contained in KAR or
WRD files.
You can use the following expressions as the
filename argument:
- -
- Read a MIDI file from standard input.
- path/filename
- Read a MIDI file from the specified path on a
filesystem.
- dir:directory
-
- directory/
- Read and play all MIDI files in the specified
directory. For example,
% timidity some/where/
plays all files in the directory some/where/.
- Archive File
- Extract and play the file(s) in the archive. If you want to
specify a certain MIDI file in the archive, append
#<MIDI-filename> to the archive name. The path after `#'
allows the use of the wildcard expressions (case insensitive).
You can use escape sequence \xHH, where `HH' is a ASCII number in
hexadecimal integer.
For example:
- % timidity file.zip#file.mid
- Plays file.mid in file.zip
- % timidity file.lzh#*.mid
- Plays any files that match the wildcard expression
*.mid in file.lzh
- % timidity file.tgz#*
- This expression is the same as file.tgz
Since these mechanism are contained in
TiMidity++ itself, you can use
this syntax even in the MS Windows environment.
TiMidity++ can handle the following archive formats:
- tar (*.tar)
- tar+gzip (*.tar.gz, *.tgz)
- zip (*.zip)
- lzh (*.lzh, *.lha)
- (lh0, lh1, lh2, lh3, lh4, lh5, lh6, lz4, lzs and lz5 are
available)
Other archives can be expanded if expander command is specified on the compile
phase.
TiMidity++ will pipe that command.
- news://news-server[:port]/Message-ID
-
- news://news-server[:port]/newsgroup[/first-last]
- Play the MIDI file in the specified article on the news
server. If a newsgroup is specified TiMidity++ plays all MIDI files
found in any article posted to that newsgroup.
TiMidity++ parses MIME Multi-part messages in case of
news://* scheme, extracts MIDI file that was post to that group, or
in case of normal file, you can explicitly handle MIME documents by naming
that file with *.mime extension, or prefix that file with mime:
The following MIME-types are allowed:
- uu-encoded file
-
begin
is required
- base64 encoded
-
Content-Transfer-Encoding: base64
is required
- quoted-string
-
Content-Transfer-Encoding: quoted-string
is required
- Mac BinHex format
- only HQX format is available
- http://address
-
- ftp://address
- Play the file specified in the URL.
For example:
TiMidity++ can handle the following file formats:
- .mid, .rmi (Format 0, 1, 2)
- Standard MIDI File
- .rcp, .r36, .g18, .g36 (Recomposer formats)
- Recomposer format which is product for COME ON MUSIC
co.
- .mfi (MFi Version 3 - Melody Format for i-Mode)
- i-Mode is Japanese local mobile phone
- .kar (Karaoke format)
- Displays the lyrics as a Lyric Meta Event message.
- .mod, mod.* (Module file)
- .wrd (WRD format)
The following command line options are accepted by
TiMidity++:
-
-A [n][,m](a)
-
-
--amplification=n
-
-
--drumpower=m
-
- --[no-]volume-compensation
- Multiplies the master volume by n%. Default value is
70%. Higher amplification makes louder sounds. You can specify the drum
power, ratio of drum volume from the other channels. The allowed values of
amplification range from 0 (no sound) to 800.
Optionally to put `a' character along with -a option, or to use
--volume-compensation, instructs TiMidity++ to regularize
the volume. You can easily gain dynamic range.
For example:
- -A90
- volume 90%, drum power 100%, compensation is off
- -A,120
- volume 70%, drum power 120%, compensation is off
- -A90,120
- volume 90%, drum power 120%, compensation is off
- -Aa
- volume 70%, drum power 100%, compensation is on
- -A90a
- volume 90%, drum power 100%, compensation is on
- -A,120a
- volume 70%, drum power 120%, compensation is on
- -A90,120a
- volume 90%, drum power 120%, compensation is on
- -a, --[no-]anti-alias
- Turns on anti-aliasing. Samples are run through a lowpass
filter before playing, which reduces aliasing noise at low resampling
frequencies.
-
-B n,m,
--buffer-fragments=n,m
- For the Linux/FreeBSD/OSS/ALSA/Windows sound driver,
selects the number of buffer fragments in interactive mode. Increasing the
number of fragments may reduce choppiness when many processes are running.
It will make TiMidity++ seem to respond sluggishly to fast forward,
rewind, and volume controls, and it will throw the status display off
sync. Specify a fragments number of 0 to use the maximum number of
fragments available.
-
-C n, --control-ratio=n
- Sets the ratio of sampling and control frequencies. This
determines how often envelopes are recalculated -- small ratios yield
better quality but use more CPU time.
-
-c file,
--config-file=file
- Reads an extra configuration file.
-
-D n, --drum-channel=n
- Marks channel as a drum channel. If channel is negative,
channel - n is marked as an instrumental channel. If n is
0, all channels are marked as instrumental.
-
-d dir,
--interface-path=dir
- Specifies the directory containing installed dynamic-link
interface modules.
-
-E mode, --ext=mode
- Set TiMidity++ extend modes. The following modes are
available (capitalized switch means disable this feature):
- w/W, --[no-]mod-wheel
- Enable/disable modulation controlling.
- p/P, --[no-]portamento
- Enable/disable portamento controlling.
- v/V, --[no-]vibrato
- Enable/disable NRPM vibration.
- s/S, --[no-]ch-pressure
- Enable/disable channel pressure controlling.
- e/E, --[no-]mod-envelope
- Enable/disable modulation envelope controlling.
- t/T, --[no-]trace-text-meta
- Enable/disable tracing all Text Meta Events.
- o/O, --[no-]overlap-voice
- Accept/reject pronouncing multiple same notes.
- z/Z, --[no-]temper-control
- Enable/disable MIDI Tuning Standard temperament
controlling.
-
mHH, --default-mid=HH
- Sets the manufacturer ID to HH (where HH are
two hex-digits).
HH values of GS/gs, XG/xg or GM/gm are
understood as 41, 43 and 7e respectively.
-
MHH, --system-mid=HH
- Sets the system manufacturer ID to HH (where
HH are two hex-digits).
In this option, the manufacture ID is set unchangeable. Manufacture ID from
the input file would be ignored.
-
bn, --default-bank=n
- Use tone bank n as the default.
-
Bn, --force-bank=n
- Sets the bank number of all channels to n.
-
in[/m],
--default-program=n[/m]
- Use the program number as the default instrument. Any
Program Change events in MIDI files will override this option.
If n is followed by /m the default program number of the
channel m is specified by n.
-
In[/m],
--force-program=n[/m]
- Similar to -Ei but this ignores all program
changes.
-
F args
- For effects. See below. In args option, you can
specify following effect options:
-
delay=(d|l|r|b)[,msec],
--delay=(d|l|r|b)[,msec]
- Sets delay type.
- d, 0
- Disabled delay effect.
- l, 1
- Left delay.
- r, 2
- Right delay.
- b, 3
- Swap left & right.
Optional
msec is the delay time.
-
chorus=(d|n|s)[,level],
--chorus=(d|n|s)[,level]
- d, 0
- Disable this effect.
- n, 1
- Enable MIDI chorus effect control.
- s, 2
- Surround sound, chorus detuned to a lesser degree
(default).
The optional parameter
level specifies the chorus level
0 to
127.
-
reverb=(d|n|g)[,level],
--reverb=(d|n|g)[,level]
-
reverb=(f|G)[,level,scaleroom,offsetroom,predelay]
-
--reverb=(f|G)[,level,scaleroom,offsetroom,predelay]
- d, 0
- Disable MIDI reverb effect control.
- n, 1
- Enable MIDI reverb effect control. This effect is only
available in stereo.
- g, 2
- Global reverb effect.
- f, 3
- Freeverb MIDI reverb effect control (default).
- G, 4
- Global Freeverb effect.
The optional parameter
level specifies the reverb level
0 to
127.
For Freeverb effect, additional parameters
scaleroom,
offsetroom
and
predelay can be specified.
scaleroom and
offsetroom
specify variables for the room size calculated as
roomsize = C *
scaleroom +
offsetroom
where C is the reverberation character.
predelay specifies the factor for
pre-delay time of reverberation in percent. Any of the optional parameters can
be omitted. Default values are
0.28,
0.7 and
100
respectively.
-
vlpf=(d|c|m),
--voice-lpf=(d|c|m)
- d, 0
- Disable LPF effect.
- c, 1
- Chamberlin resonant LPF (12dB/oct) (default).
- m, 2
- Moog resonant low-pass VCF (24dB/oct)
-
ns=n, --noise-shaping=n
- Enable the n th degree noiseshaping filter. The
distortion at decay stage is improved, but the noise on human auditory
feeling increases because it shifts to a high frequency. In case of 8-bit
linear encoding, valid values of n are in the interval from
0 (min) to 4 (max). Default value is 4. In case of
16-bit linear encoding, valid values of n are in the interval from
0 to 4. According to the value, it works as following.
Default value is 4.
- 0
- No noise shaping.
- 1
- Traditional noise shaping.
- 2
- Overdrive-like soft-clipping + new noise shaping.
- 3
- Tube-amplifier-like soft-clipping + new noise shaping.
- 4
- New noise shaping.
-
resamp=(d|l|c|L|n|g),
--resample=(d|l|c|L|n|g)
- d, 0
- No interpolation.
- l, 1
- Linear interpolation.
- c, 2
- Cubic spline interpolation.
- L, 3
- Lagrange method.
- n, 4
- Newton polynomial interpolation.
- g, 5
- Modified Gauss effect (default).
This option affects the behavior of
-N option.
- -e, --evil
- Make TiMidity++ evil. For the Win32 version, this
increases the task priority by one. It can give better playback when you
switch tasks at the expense of slowing all other tasks down.
- -F, --[no-]fast-panning
- Turns on fast panning to accommodate MIDI pieces that
expect panning adjustments to affect notes that are already playing. Some
files that don't expect this have a habit of flipping balance rapidly
between left and right, which can cause severe popping when the -F
flag is used.
In the current version of TiMidity++ this option is a toggle.
- -f, --[no-]fast-decay
- Toggles fast envelopes. This option makes TiMidity++
faster but the release time of the notes are shortened.
-
-g sec, --spectrogram=sec
- Open the Sound-Spectrogram window. This option is activated
if the system has support for the X Window System.
-
-H n, --force-keysig=n
- Specify the number of key signature. MIDI file is performed
with transposition to the key of the number of sharp (when n is
positive) or flat (when n is negative). Valid values of n
are in the interval from -7 to 7. For example, if n
is 1, MIDI file with any tonality will be performed transposing to
1 flat (i.e., F major or D minor). Therefore, it is convenient to
use for the accompaniment when practicing a musical instrument by the
tonality which is easy to perform.
- -h, --help
- Show the help message.
-
-i mode, --interface=mode
-
-
--realtime-priority=n
-
-
--sequencer-ports=n
- Selects the user interfaces from the compiled-in
alternatives. mode must be begun with one of the supported
interface identifiers. Run TiMidity++ with the -h option to
see a list.
For ALSA sequencer interface, optionally to use --realtime-priority,
set the realtime priority by n, and to use
--sequencer-ports, set the number of opened sequencer ports.
Default value is 4.
The following identifiers may be available:
- -id
- dumb interface
- -in
- ncurses interface
- -is
- S-Lang interface
- -ia
- X Athena Widget interface
- -ik
- Tcl/Tk interface
- -im
- Motif interface
- -iT
- vt100 interface
- -ie
- Emacs interface
(use ``M-x timidity'' in Emacs)
- -ii
- skin interface
Environment variable TIMIDITY_SKIN must be set to the path of the
skin data (compressed data are also supported).
- -ig
- GTK+ interface
- -ir
- Launch TiMidity++ as MIDI server.
- -iA
- Launch TiMidity++ as ALSA sequencer client.
- -iW
- Windows synthesizer interface
- -iw
- Windows GUI interface
- -iP
- PortMIDI synthesizer interface
- -ip
- UMP interface
- Interface options
- Option characters may be added immediately after the
interface identifier. The following options are recognized:
-
v, --verbose=n
- Increases verbosity level. This option is cumulative.
-
q, --quiet=n
- Decreases verbosity level. This option is cumulative.
- t, --[no-]trace
- Toggles trace mode. In trace mode, TiMidity++
attempts to display its current state in real time. For the Linux sound
driver, this is accomplished through the use of short DMA buffer
fragments, which can be tuned via the -B option.
- l, --[no-]loop
- Loop playing (some interfaces ignore this option)
- r, --[no-]random
- Randomize file list arguments before playing
- s, --[no-]sort
- Sort file list arguments before playing
- D, --[no-]background
- Daemonize TiMidity++ in background (for alsaseq
only)
- -j, --[no-]realtime-load
- Enable the loading of patch files during play.
-
-K n, --adjust-key=n
- Adjusts key (i.e., transposes the song) by n half
tones. Ranges from -24 to 24.
-
-k msec,
--voice-queue=msec
- Specify audio queue time limit to reduce voices. If the
remaining audio buffer is less than msec milliseconds,
TiMidity++ tries to kill some voices. This feature makes it
possible to play complicated MIDI files on slow CPUs. Setting msec
to zero tells TiMidity++ to never remove any voices.
-
-L path, --patch-path=path
- Adds path to the library path. Patch, configuration,
and MIDI files are searched along this path. Directories added last will
be searched first. Note that the current directory is always searched
first before the library path.
-
-M name, --pcm-file=name
-
TiMidity++ can play a PCM file instead of a MIDI
file. If ``auto'' is specified, TiMidity++ tries to open
foo.mid.wav or foo.mid.aiff when playing foo.mid. If ``none'' is
specified, this feature is disabled. Otherwise just plays
name.
-
-m msec, --decay-time=msec
- Modify envelope volume decay time. msec is the
minimum number of milliseconds to sustain a sustained note.
-
-m0
- Disable sustain ramping, causes constant volume sustains
(default).
-
-m1
- Effectively behaves as if all sustains are ignored, volume
ramping is the same as normal stage 3.
-
-m3000
- A note at full volume will decay for 3 seconds once
it begins to be sustained (assuming the regular stage 3 rate would not
cause it to decay even longer). Softer notes will of course die
sooner.
-
-N n, --interpolation=n
- Sets interpolation parameter. This option depends on the
-EFresamp option's value.
- cspline, lagrange
- Toggles 4-point linear interpolation (default is on).
- newton
-
n point interpolation using Newton polynomials.
n must be an odd number from 1 to 57.
- gauss
-
n+1 point modified Gauss interpolation. Ranges
0 (disable) to 34 (max), default to 25.
In either way, linear interpolation is used if audio queue < 99%.
-
-O mode,
--output-mode=mode
-
- --flac-verify
-
-
--flac-padding=n
-
-
--flac-complevel=n
-
- --oggflac
-
-
--speex-quality=n
-
- --speex-vbr
-
-
--speex-abr=n
-
- --speex-vad
-
- --speex-dtx
-
-
--speex-complexity=n
-
-
--speex-nframes=n
- Selects the output mode from the compiled-in alternatives.
mode must begin with one of the supported output mode identifiers.
Run TiMidity++ with the -h option to see the list.
Special in Ogg FLAC output mode, verifying generated data (will be a bit
slower), the size of header padding (default is 4096), the compression
level (0 to 8) (default is 5), and enabling OggFLAC stream can be
specified by --flac-verify, --flac-padding,
--flac-complevel and --oggflac options respectively.
Special in Ogg Speex output mode, the compression quality (0 to 10) (default
is 8), Enabling VBR output, enabling ABR output and setting the ratio to
n, enabling VAD (voice activity detection), enabling DTX (discontinuous
transmission), the encoding complexity (0 to 10) (default is 3), and
frames in a single Ogg packet (0 to 10) (default is 1) can be specified by
--speex-quality, --speex-vbr, --speex-abr,
--speex-vad, --speex-dtx, --speex-complexity and
--speex-nframes options respectively.
The following identifiers are available in all versions:
- -Od
- Outputs via audio device (default)
- -Os
- Output to ALSA
- -Or
- Generate raw waveform data. All format options are
supported. Common formats include:
- -OrU
- u-Law
- -Or1sl
- 16-bit signed linear PCM
- -Or8ul
- 8-bit unsigned linear PCM
- -Ou
- Generate Sun Audio (au) data
- -Oa
- Generate AIFF data
- -Ow
- Generate RIFF WAVE format output. If output is directed to
a non-seekable file, or if TiMidity++ is interrupted before closing
the file, the file header will contain 0xffffffff in the RIFF and data
block length fields. The popular sound conversion utility sox is able to
read such malformed files, so you can pipe data directly to sox for
on-the-fly conversion to other formats.
- -Ol
- List MIDI events
- -OM
- MOD -> MIDI conversion
- -Oe
- EsounD
- -Op
- PortAudio
- -Oj
- JACK
- -OR
- aRts
- -OA
- Alib
- -Ov
- Ogg Vorbis
- -OF
- Ogg FLAC
- -OS
- Ogg Speex
- -OO
- libdao
- Format options
- Option characters may be added immediately after the mode
identifier to change the output format. The following options are
recognized:
- S, --output-stereo
- Stereo
- M, --output-mono
- Monophonic
- s, --output-signed
- Signed output
- u, --output-unsigned
- Unsigned output
- 1, --output-16bit
- 16-bit sample width
- 2, --output-24bit
- 24-bit sample width
- 8, --output-8bit
- 8-bit sample width
- l, --output-linear
- Linear encoding
- U, --output-ulaw
- u-Law (8-bit) encoding
- A, --output-alaw
- A-Law encoding
- x, --[no-]output-swab
- Byte-swapped output
Note that some options have no effect on some modes. For example, you cannot
generate a byte-swapped RIFF WAVE file, or force uLaw output on a Linux PCM
device.
-
-o file,
--output-file=file
- Place output on file, which may be a file, device,
or HP-UX audio server, depending on the output mode selected with the
-O option. The special filename `-' causes output to be placed on
stdout.
-
-P file, --patch-file=file
- Use patch file for all programs.
-
-p [n](a)
-
-
--polyphony=n
-
- --[no-]polyphony-reduction
- Sets polyphony (maximum number of simultaneous voices) to
n.
Optionally to put `a' character along with -p option, or to use
--polyphony-reduction, instructs TiMidity++ to enable
automatic polyphony reduction algorithm.
-
-Q n[,...](t)
-
-
--mute=n[,...]
-
-
--temper-mute=n[,...]
- Cause channel n to be quiet. n can carry out
package specification by `,'. If n is 0, all channels are
turned off. Continuously, specifying - n, channel n is
turned back on.
On the other hand, to put `t' character after -Q option or to use
--temper-mute describes temperament mute. This mutes channels of
specific temperament type n. For preset temperament, n can
range 0 to 3. For user-defined temperament, n can
range 4 to 7.
-
-q sec/n,
--audio-buffer=sec/n
- Specify audio buffer in seconds. sec maximum size of
buffer, n percentage filled at the beginning (default is
5.0/100) (size of 100% equals the whole device buffer size).
-
-R msec
- Enables Pseudo Reverb Mode. It sets every instrument's
release to msec ms. If msec is 0, msec is set
to 800 (default).
-
-S n, --cache-size=n
- Sets the re-sample cache size to n bytes. If
n equals 0 any sample caches are disabled. The default value
of n is 2097152 (2MB).
-
-s freq,
--sampling-freq=freq
- Sets the resampling frequency (Hz or kHz). Not all sound
devices are capable of all frequencies -- an approximate frequency may be
selected, depending on the implementation.
-
-T n, --adjust-tempo=n
- Adjust tempo to n%; 120 play MOD files with
an NTSC Amiga's timing.
-
-t code,
--output-charset=code
- Sets output coding of Japanese text. Possible values of
code are:
- auto
- determined by the LANG environment variable.
- ascii
- Translates non-ASCII code to period.
- nocnv
- No conversion.
- 1251
- Convert from windows-1251 to koi8-r.
- euc
- Outputs EUC (Japan) coding.
- jis
- Outputs JIS coding.
- sjis
- Outputs SJIS coding.
- -U, --[no-]unload-instruments
- Unload all instruments from memory between MIDI files. This
can reduce memory requirements when playing many files in succession.
-
-V power,
--volume-curve=power
- Set the power of volume curve. The total amplification
becomes volume^ power. 0 (default) uses the regular tables.
Any non-zero value causes all midi to use the new user defined
velocity/volume/expression curve (linear: 1, ideal: ~ 1.661,
GS: ~ 2).
- -v, --version
- Show the version string
-
-W mode, --wrd=mode
- Play WRD file.
Allowed values of mode are:
- x
- X Window System mode
- w
- Windows console mode
- t
- TTY mode
- d
- Dumb mode (outputs WRD events directory)
- -
- do not trace WRD
- R[opts]
- Sets WRD options:
-
a1=b1,a2=b2,...
- Sets the WRD options. an is the name of option and
bn is the value.
-
d=n
- Emulates timing (@WAIT, @WMODE) bugs of the original MIMPI
player. The emulation levels are:
-
-WRd=0
- do not emulate any bugs of MIMPI
-
-WRd=1
- only emulate some bugs (default)
-
-WRd=2
- emulate all known bugs
-
F=file
- Use file as WRD file only no file matching *.wrd is
found.
-
f=file
- Uses file as WRD file.
WRD mode must also use trace mode (option
-i?t) or the timing of the WRD
events will be terrible.
-
-w mode, --rcpcv-dll=mode
- Extended mode for MS Windows. The following options are
available:
-
-w r
- Use rcpcv.dll to play RCP/R36 files.
-
-w R
- Do not use rcpcv.dll (default).
-
-x str,
--config-string=str
- Configure TiMidity++ with str. The format of
str is the same as timidity.cfg.
For example:
-x'bank 0\n0 violin.pat'
Sets the instrument number 0 to violin.
Character `\' (Ascii 0x5c) in the str is treated as escape character
like in C literals. For example \n is treated as carriage
return.
-
-Z file, --freq-table=file
- Cause the table of frequencies to be read from file.
This is useful to define a tuning different from 12-equal temperament. If
``pure'' is specified, TiMidity++ plays in trial pure intonation.
-
-Zpure[n(m)],
--pure-intonation=[n(m)]
- Play in trial pure intonation by Key Signature meta-event
in the MIDI file. You can specify the initial keysig by hand, in case the
MIDI file does not contains the meta-event. Optionally, n is the
number of key signature. In case of sharp, n is positive. In case
of flat, n is negative. Valid values of n are in the
interval from -7 to 7. In case of minor mode, you should put
`m' character along with -Zpure option.
-
--module=n
- Simulate behavior of specific synthesizer module as much as
possible. For the moment, the value of n defined is as
follows:
- 0
-
TiMidity++ Default
- 1
- Roland SC-55
- 2
- Roland SC-88
- 3
- Roland SC-88Pro
- 4
- Roland SC-8850
- 5-15
- Reserved for GS family
- 16
- YAMAHA MU-50
- 17
- YAMAHA MU-80
- 18
- YAMAHA MU-90
- 19
- YAMAHA MU-100
- 20-31
- Reserved for XG family
- 32
- SoundBlaster Live!
- 33
- SoundBlaster Audigy
- 34-111
- Reserved for other synthesizer modules
- 112
-
TiMidity++ Special 1
- 113-126
- Reserved for TiMidity++ specification purposes
- 127
-
TiMidity++ Debug
sf2text(1),
timidity.cfg(5)
Copyright (C) 1999-2004 Masanao Izumo <
[email protected]>
Copyright (C) 1995 Tuukka Toivonen <
[email protected]>
The original version was developed by Tuukka Toivonen <
[email protected]> until
the release of TiMidity-0.2i. His development was discontinued because of his
being busy with work.
This program is free software; you can redistribute it and/or modify it under
the terms of the
GNU General Public License as published by the Free
Software Foundation; either version 2 of the License, or (at your option) any
later version.
This program is distributed in the hope that it will be useful, but WITHOUT ANY
WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR
A PARTICULAR PURPOSE. See the
GNU General Public License for
more details.
You should have received a copy of the GNU General Public License along with
this program; if not, write to the Free Software Foundation, Inc., 59 Temple
Place, Suite 330, Boston, MA 02111-1307 USA
The latest release is available on the
TiMidity++ Page,
URL
http://www.timidity.jp/
Eats more CPU time than a small CPU-time-eating animal.
This man page was translated from Japanese to English by me with poor English
skill :-)
- Version 0.2i and earlier:
- Tuukka Toivonen <[email protected]>
Vincent Pagel <[email protected]>
Takashi Iwai <[email protected]>
Davide Moretti <[email protected]>
Chi Ming HUNG <[email protected]>
Riccardo Facchetti <[email protected]>
- TiMidity++:
- IZUMO Masanao <[email protected]>
HARADA Tomokazu <[email protected]>
YAMATE Keiichirou <[email protected]>
KIRYU Masaki <[email protected]>
AOKI Daisuke <[email protected]>
MATSUMOTO Shoji <[email protected]>
KOYANAGI Masaaki <[email protected]>
IMAI Kunihiko <[email protected]>
NOGAMI Takaya <[email protected]>
WATANABE Takanori <[email protected]>
TAKEKAWA Hiroshi <[email protected]>
NAGANO Daisuke <[email protected]>
KINOSHITA kosuke <[email protected]>
SHIGEMURA Norikatsu <[email protected]>
YAMAHATA Isaku <[email protected]>
ARAI Yoshishige <[email protected]>
Glenn Trigg <[email protected]>
Tim Allen <[email protected]>
Michael Haardt <[email protected]>
Eric A. Welsh <[email protected]>
Paolo Bonzini <[email protected]>
KIMOTO Masahiko <[email protected]>
IWAI Takashi <[email protected]>
Saito <[email protected]>
SATO Kentaro <[email protected]>
TAMUKI Shoichi <[email protected]>
URABE Shohei <[email protected]>
SUENAGA Keishi <[email protected]>
SUZUKI Koji <[email protected]>
(titles omitted and an order different)
and other many people sends information and bug-fix codes.
The English version of this man page was written by NAGANO Daisuke
<
[email protected]>.
Now, TAMUKI Shoichi <
[email protected]> and URABE Shohei
<
[email protected]> are maintaining the man page.
If you have any comments or suggestions or complaints :) about this man page,
please tell us it.